A comprehensive biography of the Treatise of the Three Impostors, a controversial nonexistent medieval book. Like a lot of good stories, this one begins with a rumor: in 1239, Pope Gregory IX accused Frederick II, the Holy Roman Emperor, of heresy. Without disclosing evidence of any kind, Gregory announced that Frederick had written a supremely blasphemous book-De tribus impostoribus, or the Treatise of the Three Impostors-in which Frederick denounced Moses, Jesus, and Muhammad as impostors. Of course, Frederick denied the charge, and over the following centuries the story played out across Europe, with libertines, freethinkers, and other "strong minds" seeking a copy of the scandalous text. The fascination persisted until finally, in the eighteenth century, someone brought the purported work into actual existence-in not one but two versions, Latin and French. Although historians have debated the origins and influences of this nonexistent book, there has not been a comprehensive biography of the Treatise of the Three Impostors. In The Atheist's Bible, the eminent historian Georges Minois tracks the course of the book from its origins in 1239 to its most salient episodes in the seventeenth and eighteenth centuries, introducing readers to the colorful individuals obsessed with possessing the legendary work-and the equally obsessive passion of those who wanted to punish people who sought it. Minois's compelling account sheds much-needed light on the power of atheism, the threat of blasphemy, and the persistence of free thought during a time when the outspoken risked being burned at the stake.

In October of 1986, Ann Weiss entered a locked room at Auschwitz and came across an archive of over 2,400 photographs brought to the death camp by Jewish deportees from across Europe during the Holocaust. The photos, both candid snapshots and studied portraits, had been confiscated, but instead of being destroyed they were hidden at great risk and saved. In many cases these pictures are the only remnants left of entire families. In this revised edition of The Last Album there are over 400 of these remarkable photographs. The collection traces the story of how they arrived at Auschwitz-Birkenau and how the author came to see them through what was essentially a fortuitous accident. In the years that followed, Weiss identified as many people and places in the photos as possible, traveling around the world to track down remaining family members and friends, and listening to stories of the inmates' lives before they were removed to the camp. Many of these accounts are transcribed here. Although the photographs in this book were found at a death camp, they are bursting with life. We see babies; parents with their children; groups of teenagers; people at work, at school, at home, on vacation-normal people leading normal lives. The photographs and reminiscences gathered here offer a rare and intensely personal view of who these individuals were and, most importantly, how they chose to remember themselves.

Like a lot of good stories, this one begins with a rumor: in 1239, Pope Gregory IX accused Frederick II, the Holy Roman Emperor, of heresy. Without disclosing evidence of any kind, Gregory announced that Frederick had written a supremely blasphemous book - "De tribus impostoribus", or the "Treatise of the Three Impostors" - in which Frederick denounced Moses, Jesus, and Muhammad as impostors. Of course, Frederick denied the charge, and over the following centuries the story played out across Europe, with libertines, freethinkers, and other "strong minds" seeking a copy of the scandalous text. The fascination persisted until finally, in the eighteenth century, someone brought the purported work into actual existence-in not one but two versions, Latin and French. Although historians have debated the origins and influences of this nonexistent book, there has not been a comprehensive biography of the "Treatise of the Three Impostors". In "The Atheist's Bible", the eminent historian Georges Minois tracks the course of the book from its origins in 1239 to its most salient episodes in the seventeenth and eighteenth centuries, introducing readers to the colorful individuals obsessed with possessing the legendary work-and the equally obsessive passion of those who wanted to punish people who sought it. Minois' compelling account sheds much-needed light on the power of atheism, the threat of blasphemy, and the persistence of free thought during a time when the outspoken risked being burned at the stake.

Perhaps the most contested patch of earth in the world, Jerusalem's Old City experiences consistent violent unrest between Israeli and Palestinian residents, with seemingly no end in sight. Today, Jerusalem's endless cycle of riots and arrests appears intractable even unavoidable and it looks unlikely that harmony will ever be achieved in the city. But with Jerusalem 1900, historian Vincent Lemire shows us that it wasn't always that way, undoing the familiar notion of Jerusalem as a lost cause and revealing a unique moment in history when a more peaceful future seemed possible. In this masterly history, Lemire uses newly opened archives to explore how Jerusalem's elite residents of differing faiths cooperated through an inter-community municipal council they created in the mid-1860s to administer the affairs of all inhabitants and improve their shared city. These residents embraced a spirit of modern urbanism and cultivated a civic identity that transcended religion and reflected the relatively secular and cosmopolitan way of life of Jerusalem at the time. These few years would turn out to be a tipping point in the city's history a pivotal moment when the horizon of possibility was still open, before the council broke up in 1934, under British rule, into separate Jewish and Arab factions. Uncovering this often overlooked diplomatic period, Lemire reveals that the struggle over Jerusalem was not historically inevitable and therefore is not necessarily eternal. Jerusalem 1900 sheds light on how the Holy City once functioned peacefully and illustrates how it might one day do so again.

Im Zentrum stehen aktuelle Professionalitatsentwicklungen und Diskurse der Frauenhausarbeit. Es werden derzeit diskutierte Konzepte der Frauenhausarbeit in Deutschland aus der Perspektive von Wissenschaft, Praxis und Forschung vorgestellt und einer kritischen Wurdigung unterzogen. Der Inhalt Professionalisierungsentwicklungen und Transformationsprozesse in der Frauenhausarbeit * Autonomiekriterien und deren Veranderungen * Entwicklung von Madchen und Jungenarbeit im Frauenhaus, sowie die Bedeutung von Resilienz und Prinzipien der praktischen Arbeit * Anwendbarkeit von systemischer Paarberatung bei Partnergewalt und praktische Erfahrungsberichte aus einem Frauenhaus mit systemischem Konzept * Intersektionale Perspektive in der Frauenhausarbeit * Viktimologische Perspektive und Methoden der Restorative Justice * Kritische Psychologie als Perspektive einer politischen und solidarischen Frauenhausarbeit * Das Konzept "Stadtteile ohne Partnergewalt" Die Herausgeberinnen Prof. Dr. Gaby Lenz (Padagogin/Erziehungswissenschaftlerin) ist Professorin am Fachbereich Soziale Arbeit und Gesundheit an der Fachhochschule Kiel. Anne Weiss (Soziologin/Politologin) ist wissenschaftliche Mitarbeiterin am Fachbereich Soziale Arbeit und Gesundheit an der Fachhochschule Kiel.